Description: Srihadi Soedarsono (1931- ; Surakarta, Central Java) studied at the Institut Teknology Bandung (ITB, Bandung Institute of Technology) in West Java, and at Ohio State University in the U.S.A., from 1960-1962 where he received his Master of Arts deggre. Srihadi returned there 1980 for an art research program under a Fulbright-Hays fellowship. While a fine abstract landscape artist, he is best known for his bright expressionistic paintings of Balinese dancers with white faces. Awards: Piagam Anugerah Seni (Indonesia, 1997), Cultural Award Australia, 1973). Collection: Singapore Art Museum. Exhibitions : Canberra Theatre Centre (Australia, 1973), Rijswijks Museum (den Haag, Holland, 1980), Fukuoka Art Museum (Japan, 1980), Vokenkundig Museum (Delft, Holland, 1982), Galeria Palacyk (Warsaw, Poland, 1984), Seoul International Art Competition (South Korea, 1985), Hankyu Art Gallery, (Osaka, Japan, 1987), East -West Center (Honolulu, (Hawaii, 1998), Festival of Indonesia (U.S.A., 1990-1992), Gate Foundation (Amsterdam, Holland, 1993), Singapore Art Museum (1994) Centre for Strategic and Internationl Studies (Jakarta, Indonesia 1996), Indonesian – Japan Friendship Festival, (MoriokaSrihadi Soedarsono (1931- ; Surakarta, Central Java) studied at the Institut Teknology Bandung (ITB, Bandung Institute of Technology) in West Java, and at Ohio State University in the U.S.A., from 1960-1962 where he received his Master of Arts deggre. Srihadi returned there 1980 for an art research program under a Fulbright-Hays fellowship. While a fine abstract landscape artist, he is best known for his bright expressionistic paintings of Balinese dancers with white faces. Awards: Piagam Anugerah Seni (Indonesia, 1997), Cultural Award Australia, 1973). Collection: Singapore Art Museum. Exhibitions : Canberra Theatre Centre (Australia, 1973), Rijswijks Museum (den Haag, Holland, 1980), Fukuoka Art Museum (Japan, 1980), Vokenkundig Museum (Delft, Holland, 1982), Galeria Palacyk (Warsaw, Poland, 1984), Seoul International Art Competition (South Korea, 1985), Hankyu Art Gallery, (Osaka, Japan, 1987), East -West Center (Honolulu, (Hawaii, 1998), Festival of Indonesia (U.S.A., 1990-1992), Gate Foundation (Amsterdam, Holland, 1993), Singapore Art Museum (1994) Centre for Strategic and Internationl Studies (Jakarta, Indonesia 1996), Indonesian – Japan Friendship Festival, (Morioka, Tokyo, 1997), ASEAN Masterworks (Selangor, Kuala Lumpur, Malaysia, 1997-1998). Tokyo, 1997), ASEAN Masterworks (Selangor, Kuala Lumpur, Malaysia, 1997-1998) |